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Chapter 22
Shadows
of Dark and Light
You know, I believe I've
been standing in the shadow of the door of
Death for all of my life. Always casting glances
into
the empty nothingness the room opened up to,
feeling like it beckoned me to enter,
to walk into what might be an endless dark
rest.
At the same time it's
like I've
been wanting – from a hazy site somewhere
inside of me, you know, like beneath
everything else – to walk the other way. As
if my soul wanted for me to be embraced by
the Light at the far side of this other
path. In my mind I've
fancied a million times over how it would
feel like to be embraced by the Light; I've
seen myself being freed from all the worries
and anguish I've carried about for as long
as I can remember. Yeah, I've pictured an
embrace
kindling alight my soul in
such a way it would make me feel physically
elated. Like flying. I like it when my
thoughts wander off there, and I like to think of an embrace like that
as The Magic Touch of Love. But I've
never dared to truly believe in it becoming
reality, you know, becoming real-ized.
Every time I've felt like was I close to it,
so close I could
almost sense it, I hesitatingly stopped and
an obsessive thought came over me, making me
think:
"No,
it's dangerous to think like that, the
opposite will sure come about if I stay with
it".
It's
kinda hard to explain this but it's as if s
sense groused with
mistrust takes hold of me whenever I'm
starting to feel a little bit at ease, and,
in that feeling, get some sort of hope the
Love-embrace could, after-all, become
reality, a ghastly mistrust-sense of
"believe it'll happen and
you'll
be struck down in a never healing despair
... there's
no turning back and rise again after having
been struck down in such a way."
God knows I've tried to stop myself from
thinking the wicked mistrust-thoughts, I've tried
everything to silence my mind when it takes
me over, but there
just is no way.
But, then again, when
I've
moved towards The Room of Emptiness and Endless Dark Rest I've
also stopped a second later and thought:
"No,
not that way".
Only now there is no gruesome sensation
taking hold of me. No, it's more like had the
Trossle-Light
at the far side of this other path some
curios invisible tentacles filled with lofty
Love and kindled yearnings able to reach
into my very heart, and this way guiding me
in what I believe is the right direction.
Until recently I couldn't understand
what it was stopping me from entering
The Room of Emptiness and Endless Dark
Rest, it didn't make any sense to me, it
didn't give me any kind of clue as to why I
just didn't, you know, just went there. But on recalling it
now I believe this sensation, what I, in a fatigue attempt to
put into words that which goes way, way
beyond words, something perhaps I could name the
ancient Trosslan, is a love-light springing out of The Living Heart
Herself. Actually, my going this way or the
other, is, by comparison with the power of
the loving light of Trosslan, not worth
bothering myself with even in the slightest.
(S)He is my true mystery.
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Oh, this put me in mind
of another peculiar dream.
I didn't take any part in it, I just watched
the vents taking place. The dream began with a man
walking towards a podium to give a speech.
Before he began he looked around with a
gentle and sincere expression on his face,
and asked the audience if everyone was seated
in their right place. There wasn't too many
there but the once who'd come were
all very cosy looking and sat in big
fluffy armchairs and couches and comfy things like
it. I had the feeling the amount didn't
count as he was going to address the
"essence"
and not the
"quantity"
somehow. I can see now, when I'm awake, that
the opening question was a rather odd one to
start out with, but in the dream it felt
highly accurate and proper, like was it
important to begin there.
When the question was
posed the cosy people in the audience looked
around – on each other and on the other
seating places – and everyone became
conscious, and somewhat but not overwhelmingly,
surprised, they didn't sit in her/his right
place. They all began to move about towards their
"home-places",
but as they did they realized all of their
necklaces (they all had one) were tangled up
in one another, so before they could move
they had to disentangle themselves. They
began doing this and it was the calmest most
soothing thing to behold! Because they all
had their groovy eyes and precious minds fixed
somewhere far away and deep within when they
got about their entangling business; they
had this amazing gaze of calm, care and love
which you can only find in those who has
their gaze directed inwardly and wholly
focused on the subject at hand – at the same
time.
You see, they didn't sets
their minds in control over what their hands were doing as they
disentangled their necklaces, it was like
they knew their hands and fingers knew just what to do
on their own sense perception. In fact, had
they tried to steer the
disentanglement this in itself would have become an
obstacle, obstructing the process. The
thought never crossed their minds though, it
was simply an observation I made from my
watching point of view.
Slowly,
peacefully, ever so delicately they all sat
there, with a cute curious little smile on
their cute curious little faces, looking
absentmindedly focused into a deep, vast, mystery
space-scape within and beyond, disentangling
themselves. To me, the beholder, it felt
like they were voyaging that space-scape, as
were their souls moving about there in its own
cosily tranquil pace; like were their souls
experiencing itself and all its wondrous
reflections.
Then a tapestry
of wonder filled the sunlit azur-blue sky
above; the
grooviest choir
of Trossles appeared, each Trossle smiling her immensely
cute, heart-warming smile and looking onto the world with
eyes filled to the brim with loving delight,
kindness and soothing happiness. With their gentle, magically melodious little voices
the dainty Trossle-choir hummed the tune
"What
child is this?",
making the whole of the air teeming with the wonder
of the song.
Everything about what met my eyes now were
unprecedented awe-inspiring, so
immensely soothing and joyous and enchanting. And
there I awoke, tears of
pure, pristine happiness running down my face. Oh dear Lord, I didn't want to
wake up! I wanted to stay in this dream
forever! I laid still in my bed, trying this
way to let myself linger in the dream-
feeling, but the present reality came
sailing in on me from all directions and
soon, oh way too soon, all that remained of
this glorious dream was the distant,
shimmering resonance it had awakened in my
heart. Reluctantly I peeked at the clock:
5.15.
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Funny how it
can be, don't you think? Not long ago I
dreamt I was repainting dinosaurs. Well, it
wasn't that long ago, maybe it was only
yesterday? Anywho,
as I said, I was repainting dinosaurs – huge
herbivorous dinosaurs – and I was doing it from
the backseat of a car. I don't remember what colour the
dinosaurs had to begin with, although I seem
to recall something greyish, and I don't
remember what colour I repainted them in,
although, again, I seem to recall some kind
of opal, lush greenish. Be that as it may, I don't
believe the colour was the truly important
aspect here, no, it was the act of
repainting in itself.
Painting their bodies was
a draining job to be sure, but not
difficult. The tricky part was to repaint
their heads since they had a tendency to get
a tad bit annoyed with me being in their
faces – literally as well as figuratively
speaking! I was a little scared doing it, I'll
admit to that, but mostly however I was excited
to do it. I told the driver of the car (I
never got to see him) how to drive as I sat
there on the right side of the backseat,
sticking out my brush through the quarterly
opened window and, when close enough to the
dinosaurs heads, focusing my attention on
putting the colou right. It felt like I was
in some kind of joyous control of the
situation as a total, a childlike joy. At
the same time I was well aware, in a
grown up way, that I wasn't the one driving,
and that I had to take into account the
potential as well as the actual reactions of
the dinosaurs.
But I didn't mind, on the
contrary, I liked being the one giving the
driver instructions on how
to drive, and I liked being the one who held
the brush. Even though there was also a
little fear involved, both concerning the
annoyed dinosaurs and what might happen if
they caught some part of me with their jaws,
as well as in relation to the driver – if he might
get angry with me suddenly since the job
took so long. There wasn't anything scary
actually happening in the dream so the
overshadowing sensation became the fun and
inspiring part, of being the one steering
the driver, and
being the one holding the brush.
When I woke up I wondered
if the fact that I was not in the drivers
seat meant something positive or negative,
like, was it a good thing or a bad that I
wasn't in charge of the car. After having
contemplated the matter for some time I
came to the conclusion it was a good thing;
I was the one holding the brush, and so
someone else had to be driving, I can't paint
inspiringly and hence correctly if I am to
be driving at the same time. Having reached
this conclusion I smiled to myself and turned my head slowly to
peek at the clock; 6.49 am.
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All the things we're doing
are bound to cast
shadows
on our selves,
our lives,
and
hence on the world as a whole,
so for the
Love of Christ:
Let those shadows be Light!
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